Thursday, December 25, 2014

Klinghoffer Komments

... getting caught up before we lose the light on 2014-
Here is something I posted elsewhere on Oct 24

Just saw `The Death of Klinghoffer’ interview on Charlie Rose (10/24)
“Oct. 24 (Bloomberg) -- On “Charlie Rose,” a discussion about "The Death of Klinghoffer." The opera opened on Monday night at the Metropolitan Opera House in New York and is surrounded by controversy. We are joined by two First Amendment lawyers on opposite sides of this controversy: Martin Garbus and Floyd Abrams.” (Source: Bloomberg)
Floyd Abrams ‘accuses’ this opera of “Romanticizing” a Palestinian character, as if to dramatize a flawed human in a tragedy is to advocate or defend their point of view. He confuses understanding with sympathy.
Does he believe that productions of ‘Sweeney Todd’ encourage barbers to slit their clients’ throats? Does he believe that listening to the glorious music of Gounod’s ‘Faust’ will encourage members of the audience to make their own pacts with the devil? Does he think ‘MacBeath’ advocates violent usurpation? These are tragedies because humans are making the kind of horrible mistakes that humans make when we let our own anger, greed, lust or fear blind us (‘us’, not ‘them’) to the ultimate consequences of our own deeds. Passion can destroy compassion. This is the sorrow of the human condition.
Mr. Abrams is offended that a Palestinian murderer should be portrayed as human. But villains ARE human.
In the meantime those, who like Floyd Abrams let their own fears distort reason and rob them of compassion, argue that the only portrayal of villains that should be allowed is a kind of hostile caricature. This is the essence of censorship.
Justin Davidson says it better than I can:http://www.vulture.com/2014/09/trouble-with-klinghoffer.html

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